Book Review: "Writers & Lovers" by Lily King

This is the story of Casey Peabody, a 31-year-old woman who has lost her mother and has been through a breakup recently. Casey has been writing a book for six years and has been trying to finish it while she breathlessly works as a waitress.

As the story unfolds, we can see how she has to deal with her lifelong friends that are getting married and start to have the lives they're supposed to have because of their age. King accurately describes that being over 30 doesn't mean your life's solved but actually starting; the character struggles mentally, financially, and romantically.

The first half of the book was really slow-paced for me compared to the second half, which is important somehow since you can feel the anxiety and hopelessness Casey has. Throughout the book, we can see more characters, like Oscar, Silas, Muriel, Harry, Caleb, and Adam but none of them has enough development. I still celebrate Muriel, Harry, and Casey's friendship, though, but I disliked completely one of her romantic relationships completely; I never liked the way he always referred or talked to her at all. Also, I felt as forced as she felt it.

Writers & Lovers isn't for everyone, maybe that's why I felt I wouldn't finish it. What totally makes it up are the parts about writing. King completely nailed it, at least when it comes to amateur writers like me, I don't know about the rest. She talks about the fears and expectations that come with it with the right words, and I know that more than one will feel identified with those quotes.

I could read this book thanks to NetGalley ;)

LILY KING grew up in Massachusetts and received her B.A. in English Literature from University of North Carolina at Chapel Hill, and her M.A. in Creative Writing from Syracuse University. She has taught English and Creative Writing at several universities and high schools in this country and abroad. Lily's new novel, Euphoria, was released in June 2014. It has drawn significant acclaim so far, being named an Amazon Book of the Month, on the Indie Next List, and hitting numerous summer reading lists from The Boston Globe to O Magazine and USA Today. Reviewed on the cover of The New York Times Book Review, Emily Eakin called Euphoria, “a taut, witty, fiercely intelligent tale of competing egos and desires in a landscape of exotic menace.”

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Book Review: "Eighteen Inches: The Distance Between the Heart and Mind" by Mirtha Michelle Castro Mármol

TW: Anxiety, depression, death, rape, sex, abortion.

"I am a woman who lives and does everything passionately. When I love, I love hard; when I hurt, hurt badly."

It was difficult to read this book. Difficult to the point I considered stopping. It made me cry since the beginning and made me remember things I thought I was ready to let go. So, pay attention to the back cover's warning and mine: "this book might make you cry..." Even so, I regained courage and continued. Yes, I kept crying, but less this last time. The other part of the warning is also true, by the way: "{this book might] fill you with nostalgia, empower you, or even give you hope."

It's both sad and comforting to know that we are not alone when it comes to heartbreaks, even if it seems that way. Castro Mármol writes down feelings of pain and longing that we might not know how to express through letters and poems, which might seem familiar from other poets nowadays, but that have the precise words to connect directly to you, even if you are not experiencing any of these feelings.

"Eighteen Inches" is an inch-by-inch journey that shows us that love might come and go and that it can be also found again, even if it comes in a different way. I don't feel empowered or hopeful after reading it but I think it's because I'm not there yet, not because this book fails in its purpose. I'm sure that it can be just right for someone else. 

I'm eternally grateful to Mirtha, who decided to share a part of her soul to us.

I could read this book thanks to NetGalley and Andrews McMeel Publishing ;)

MIRTHA MICHELLE CASTRO MÁRMOL is a Dominican born actress and poet. At the age of five, her family migrated to Miami, Florida. She wrote her first poem at the age of six and since then cultivated a passion for poetry. She currently resides in Los Angeles, California. “Letters, to The Men I Have Loved” is her debut as an author. It consists of profound letters and poems directed to various men during different milestones in her life. Her work expresses loss, love, pain, growth, and hope.

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Book Review: "30-Second Literature. The 50 most important forms, genres and styles, each explained in half a minute"

The idea of this book is excellent. I enjoyed it from the beginning. It's a perfect work for people that are looking for some light reading, for those starting their literature studies, and for people that have no idea of some related terminology.

I received this copy in a .ascm format, so I don't know how it would look in a tablet or in a physical format, but I think it'd work splendidly in a digital way since it has tiny sections that can send you to other pages with related content, as well as extra bibliography.

I would've liked the inclusion of a couple of more authors biographies' for each section and that they would've dedicated time for children's and erotica's literature since they have been earning new readers and more relevance nowadays.

If I ever see this book, I'm gonna buy it.

I could read this book thanks to NetGalley and Ivy Press ;)

ELLA BERTHOUD started reading on a journey from Tehran to London, on the parcel shelf of a Wolsey 1300 when she was five. She spent the next thirteen years reading books in inappropriate places like ski-lifts and trampolines. She studied English Literature at Cambridge University, where she read as many novels as she could at once. She continued on to University of East London where she studied Fine Art, and combined her twin passions of reading and painting by listening to books while creating works of art.

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Book Review: "break your glass slippers" by Amanda Lovelace

"fairy godmother says villains almost never look like cackling witches, cruel stepmother, or bratty stepsisters, they're so much quieter than, & i think that's what makes them so menacing. in some chapters of your storybook, you'll find them hiding everywhere -even in the faces of those you hold dearest. they never reveal their true intentions until you've already trusted them too much & just like that, everyone you know has turned into a stranger."

I read "the princess saves herself in this one" back in 2016 and I completely fell in love with Amanda Lovelace's style and, if I'm completely honest, I think that book made me change my opinion about poetry books. Even so, I didn't read the rest of "Women Are Some Kind of Magic" books, I don't know why, but I did read "to make monsters out of girls" and it made sense to me perfectly again because I was in a very bad place.

Sadly, I didn't feel any connection with this book. I love the concept, and, for some reason, I love Cinderella (Disney's Cinderella), but I felt nothing. There are a couple of verses I liked but not enough to feel the same way I felt with the previous books.

There are illustrations that fit with the poems, there are illustrations that are repeated several times, but what's worse is that there are some blank pages, which makes the price of the book insane. I think they could've tried more poems or even different illustrations to make it better.

The only reason I'm giving this book an extra star is that I can see a personal evolution in Lovelace. I'm pretty sure that she's transformed from a queen into a fairy godmother whose magic spells are actually these words specially created for broken hearts and desperate souls. 

Respect! 

I could read this book thanks to NetGalley and Andrews McMeel Publishing ;)

AMANDA LOVELACE began writing books of her own, & so she did. When she isn't reading or writing, she can be found waiting for pumpkin spice coffee to come back into season & binge-watching Gilmore Girls. (before you ask: team jess all the way). The lifelong poetess & storyteller currently lives in New Jersey with her partner, their moody cat, & a combined book collection so large it will soon need its own home. she has her B.A. in English literature with a minor in Sociology. 

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Book Review: "Ink and Arrows" by Shruthi Viswanathan

"You can ease your anger with revenge, but you can't ease the emptiness with anything."

Rea is a Suveri, a woman whose powers are granted thanks to the tattoos she has on her skin. She is a "human" that has the ability to handle magic. She looks for revenge for his father's death, which was in the hands of humans who exploited her tribe's magic.

After being arrested for trying to kill her father's murderer, Archduke Sebestyén of Alisia gets her free in exchange for her tattoo knowledge, and she only accepts if he grants her three wishes. As the story passes, both start to save each other, Sebestyén saves a stubborn and famished Rea while bringing her food to her somewhat cottage, and Rea saves him with her peace and companionship.

Sebastyén's royal position changes drastically when the war ends, which makes him realize his relationship with Rea is in jeopardy and that he just can't have it all because of his father and the kingdom. While Rea's feelings are clear, he has to make a choice.

The chemistry with the main characters, their acceptance to their feelings, and the sexual tension are very clear, which makes you root for them even more. Although the pace was pleasant, I would've liked more examples of Rea's powers and the tribe's traditions as well as Sebastyén's intentions to change Suveri lives and its repercussions in the kingdom. This would've been well-developed in a longer book. At the same level, I think it's a shame that we can't see enough of Sebestyén's brother, Arnold.

I felt the ending was written in a lazy way, so this book left me wanting so much more. I still enjoyed it while it lasted.

SHRUTHI VISWANATHAN is a fantasy novelist who is always lost in her head. Her best friends are imaginary characters who sometimes end up on the pages of her books. When she’s not writing, she likes to try out new restaurants, play video games, and read books that will take her on unforgettable journeys.

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Book Review: "Women on Top" by Michelle Miller

“Women on Top” gives you the idea that you’re going to read about women that create paths for others to follow or to influence people in some way.

The title fools you as well as the book cover.

Reading about women that enjoy their femininity, their works, their sex life is perfectly fine, the problem is that this book is about spoiled women that have a lot of privileges in their lives (I know they’re people that have good luck and that can have extraordinary experiences, that’s not wrong, what’s wrong is their personalities). The thing about these characters is that their main purpose in life is to find men, based on their appearance or status; the thing about these characters is that their resilience is proven if one of them sweats.

The stories could’ve been handled better, especially because these are short stories. Here you can find descriptions that aren’t relevant, things that won’t be mentioned again, and even tables attached as if they were essays.

The pacing, in general, is slow at the beginning of each story and too fast at their endings, which makes you feel dissatisfied. They’re unnecessary flashbacks, masochistic love, and some naïve woman. Also, there’s mentioned that the universal feminist dream is ending up with a man and family. Equality? Not in this book.

Both women and men have no depth, they only have lives filled with lies, pathetic people, expensive wine bottles,  and fashion brands, whose purpose is to show knowledge in that area somehow. Almost everything is about convenience and s*itty people can still get some kind of reward.

The image of love is wrong, although we all can fall in any of them, of course (masochistic, toxic, stupid). There’s a sentence that made me cringe intensely. A man takes one of these women to an art gallery because it had reminded him of her. That sounds kinda cute, right? And the resemblance turns out to be: “[He took her there] because he was thinking about her vagina.” Add a sarcastic smile here, please. Oh, mother of Thor!

The few tiny good things, a couple of sentences, intertextuality, and plot twists aren’t enough to make this book worth it. I’d definitely not recommend this book to anyone unless, like the author, such person has a fetish for khakis and calves.

I could read this book thanks to NetGalley and Amazon ;)

MICHELLE MILLER wrote pseudonymously until the publication of her debut novel, The Underwriting, which was translated into twenty languages and developed for television with Fox. She holds a BA and MBA from Stanford University and, in a past life, worked at JP Morgan's private bank. Michelle lives between London and Asheville, North Carolina, where she was born and raised.

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Book Review: "Forgive Yourself: These Tiny Acts of Self-Destruction" by Jared Singer

"Goodbyes

are exactly like that—

no matter how ready you think

you are for them,

they always leave you with so

many things you want to say."

Reading this book wasn't what I expected. I know that reading someone else's poetry you enter in a part of their soul that is not always available to anyone else. Poetry can get very personal. It's not only a writing genre where you put words together to make them rhyme, but it's also a process where you express what you can't say with your voice in a certain moment, and I feel this process is different than writing a diary because mind and heart look for the correct words or even invent them to capture them on a piece of paper to never let them go.

Jared Singer talks about different kinds of love: the one that is romantic, the one that comes from friendship, the one that comes with one's identity and culture and self-love but also about their counterparts, like a partners' loss because love is gone, the loss of friends due to suicide or hate crimes, the loss of one's self, which happens often and can involve any of the aforementioned losses and, therefore, the need of self-destruction as well as the path to acceptance.

I'd say "TOXICITY" and "I STILL MISS YOU" were poems that felt like a bunch of slaps because they reminded me of myself. And that's the thing about poetry that differs from characters in novels. Even though these aren't your words, you can find your feelings finally expressed and that you are not the only one that thinks the same.

The only one I disagreed with was "YOUR SLEEPING PILLS." Didn't I get the point of it? Maybe. But as someone that has been in treatment for months, I can't tell myself that I don't need them. Of course, my body and mind would love not to take them, that I'd be better off without them in a certain way, but taking those pills is something that I need to get used to since what I have is not something that will ever end. Still, even with those pills, I do have those moments of self-destruction (you need to read the poem to understand such moments).

I could read this book thanks to NetGalley and Button Poetry ;)

JARED SINGER is an audio engineer and poet currently living in New Jersey. He grew up in the Blue Ridge Mountains of Virginia, and came to maturity in Brooklyn. This life has taught Jared that both beauty and hardship will find us wherever we go, and cannot hide from either. What we can do is choose which we look for and which we focus our life around. Jared is proud to have his poems focused on joy, science, and learning from his worst moments.

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Book Review: "The Bird King" by G. Willow Wilson

This book was disappointing and for a moment I thought I wouldn’t finish it. The beginning of it totally caught my attention, though.

As the synopsis says, the story is set during the reign of a sultan that falls into the hands of the Spanish Inquisition, a situation that changes the lives of two friends, Fatima and Hassan. The story looks promising at this point because we can read a little bit about the traditions held around that time and place (Iberian Peninsula), like the way Fatima and Hassan arrived at the palace, the way they served their masters (Fatima as a concubine and Hassan as a magic mapmaker, as well as their subsequent longing for freedom, and how this freedom looks even more impossible to achieve with the arrival of the Holy Office representatives.

In order to save Hassan of a terrible fate involving his talent with mapmaking, he and Fatima embarked in a journey that I think it lacked a feeling of adventure and emotion, which made it boring; a journey that also added unnecessary characters that didn’t have enough background to make you feel anything for them, not love nor hate (and I'm afraid to say I felt nothing for the main characters either). Also, they were parts that were a little bit confusing to me, but I have the feeling that it was because of the Kindle format I got.

This story wasn’t for me. Definitely.

I could read this book thanks to NetGalley and Grove Atlantic ;)

G. WILLOW WILSON is the author of the acclaimed novel The Bird King, co-creator of the Hugo and American Book Award-winning series Ms Marvel, and has written for some of the world’s best-known superhero comic book series, including The X-Men, Superman, and Wonder Woman. Her first novel, Alif the Unseen, won the 2013 World Fantasy Award for Best Novel, was a finalist for the Center For Fiction’s First Novel Prize, and was long-listed for the 2013 Women’s Prize for Fiction. In 2015, she won the Graphic Literature Innovator Prize at the PEN America Literary Awards. Her work has been translated into over a dozen languages. She lives in Seattle.

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